Van Gogh

“The potato eater” is very ugly, but the early gaze and eyes have revealed Van Gogh’s extraordinary temperament and unique enchanting. Several people were surrounded by gloomy lights. Because of those people’s magical different expressions, they remembered the plot of friends having dinner together, the past when poor people kept silent in the furnace; Those plots were flowing with poetic feelings, and those past tears were blooming. “Peach blossom in full bloom” is different from the elegant demeanour and patterns of the East, because this peach root is slightly thin, and the theme is bright all over the sky, full of people’s vision, that picture, the sky clouds, however, there is color; The star does not appear, there is no figure, but the sun shines on the object, and the peach blossom lights up the sky. She is not a beautiful woman, she is the Sun, she is magnificent and magnificent. This is Van Gogh’s glances and Van Gogh’s life. “Four pruning sunflowers”, only when it is cut off, it is known that the life is broken; Oh, it is not a life waste, but also a bright life after it is in full bloom and before it is broken. His choice of such a topic is fateful, just like staring at a girl, a very ordinary child, just because it is your child, a part of your life. On the ground of Van Gogh’s life, either left or right, there are several flowers cut by farmers, but let our van Gogh see himself, life and light. “The Woman in the tambourine Coffee House” makes me unable to read, because her light reflects enough solemnity, because she is ordinary enough, like a person around me and around you; she held the gesture of fireworks in her hand to let us know that this solemn attitude is her ID, her original, her kindness and integrity. When facing the painter and model, she dare to face it truly, I really want to face it. This kind prostitute. When the river of human life is gurgling and roaring, flowing into the distance, people’s eyes, people’s eyes, left to right, drifting or stagnant on both sides, Van Gogh sees the starry sky and the front, he knew ordinary people. Ordinary people could only see their relatives and their past, future and present if they crossed the river. So he wandered around and chose this bridge as his perspective, the carriage on the bridge, the woman who was wearing clothes beside the water under the bridge; How vivid and hard the woman who was wearing clothes under the bridge was! Without the light of the sun, don’t be with the brilliance of sunflower, but sadly scatter the eternal luster of life. Lang Lu Bridge. Our van Gogh. Like (prose editor: drops of ink become wounds) the snow in spring

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