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In our daily life, both the people and things we meet and the people we touch every day will present a lovely and charming side, of course, you have to have the aesthetic concept and pleasant eyes. For example, when a person is walking, he or she accidentally finds a small flower deep in the grass swaying in the wind, and you will feel that this flower is just like the woman you met on the road one day, although she couldn’t be called by her name, and she didn’t know where she was going, these didn’t matter, because that figure was enough to leave her too much reverie, behind your delusion is charm. To be honest, the world is full of charm everywhere, but the roles that are obsessed with are different from those who are obsessed. Yes, the charm of words to me is far better than the rainbow in the sky, the beauties in life and the temptation of all delicious food. Due to the limitation of life or birth environment, I only know Chinese characters, and the beauty of Chinese characters really intoxicates me. Its charm is fully displayed and revealed between the lines. The Orchid Pavilion Preface of Wang Youjun was so natural and unrestrained, so elegant and meaningful, Dongpo, Midian, Huaisu, Zhao Mengying, Zhu Sui Liang, Yu Youren, Mao Zedong and so on, whether it is running script, cursive script or clerical script, which is not expensive in Luoyang, their charm of ink treasure has conquered many literati and poets. Of course, its charm cannot be separated from the support of spirit and character. It is rare that the four characters of muddled are familiar to the world. It is written by Mr. Banqiao, and the characters are generally accepted by everyone, just like the bamboo in his works, which can be called a masterpiece. But what I want to say is that his personality charm plays a key role rather than the good words. That is to say, there is no charm just staying on the appearance of good words. Charm comes from his moral character and humanity as firm as his bamboo and stone. I don’t deny that I like words, but I prefer the text that gives ideological vitality through words, because only in terms of words, there is no meaning and value except for pleasing people’s eyes and ears, and there is no way to talk about charm. Take the Orchid Pavilion Preface of Wang Youjun as an example. If it was just a single word, I don’t think Li Shimin would bring it into his tomb, the real reason for him to bring the national treasure into the tomb was to appreciate the spiritual morality and personality charm behind his words. Therefore, I want to say that words are just a tool at most, and to achieve charm, it must be achieved by writing. In the history of Chinese culture, the reason why Tang and Song poems can last for a long time is not only the effect of words, but also the poetry with paintings and poems with concise words and profound thoughts. It is all-inclusive, giving life to all things in the universe, and full of vitality and youthful brilliance in the Four Seasons. How can such words full of humanistic atmosphere not make people yearn for and gallop! Therefore, charm is naturally uninvited. Speaking of words, books are naturally indispensable. As we all know, China has a long history, with over years of culture and world civilization, extensive and profound, and numerous ancient and ancient books. Apart from the poems of Tang and Song mentioned above, it is enough to be amazing only in terms of Confucianism, Taoism and Buddhism. It has attracted many people’s eyes and conquered many longing hearts. Take Cao Xueqin’s “A Dream of Red Mansions” as an example, its words attracted countless heroes to bend their backs. There were countless heroes at home and no one knew their numbers abroad. There is only one reason for this, that is the charm of words. Zhou Ruchang, a great scholar of a generation, was an expert in Redology. He had been attached to the writings of Honglou for a lifetime. He was drunk and crazy for him, and he wrote books and made a statement for this. If it hadn’t been for the charm of red, how could he wait with his life? It can be seen that the charm of Redology is so great. Among the monograph on Redology I have read, there are the words of Wang Guowei, Wang Meng, Hu Shi, Cai Yuanpei, ruimuliang, Liu Xinwu, Jiang Xun, Deng Yunxiang and Liang Zhigui, etc, the most charming person is the contemporary scholar Liang Zhigui. I think his interpretation of Redology is the most bottoming, and Language, Thought, logic, analysis and dismantling are all quite wonderful, as paodingjieniu, handy, ease. Way to read, His words made me feel beautiful and endless. I had to sing and say that it tasted great! Finally, what I want to say is that with the continuous progress of reading over the years, my soul is gradually moistened, and I have a new understanding of the charm of words, which is not limited to books. In other words, now I pay more attention to the charm of no words, such as mountains, rivers, grasslands, buildings, gardens and paintings, of course, including animals in nature and starry sky. Of course, I clearly know, as far as they are concerned, they cannot be expressed by words, but from the perspective of the essence through phenomena, it is undoubtedly a three-dimensional picture scroll, and their charm is no inferior to that of words. Therefore, I want to say that charm comes from the world, just because of people, and because of heart. Therefore, I would also like to say that the charm of words is hidden behind the spiritual quality of human beings. Similarly, the charming things between heaven and earth, whether objects, years or life, need to be interpreted and explained by someone.

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