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Four days and three nights, almost one breath 53 episode “Peking No War” read, which two night see Sky White taking a nap also get up busy entertainment lunar January in relatives of coming and going, although miserable, but it was painful and happy, because it was really a TV series worth watching. Before watching this play, I imagined whether it would be like any TV play, centering on several characters of a certain group or a certain family? Is the social background of the story a long history, a modern city or a village? However, “no war in Peiping” seems to be nothing special from its name. It is estimated that it is a familiar story about the uprising led by Fu Zuoyi in Peiping before the founding of New China. Until it was opened, it was irresistible. The story begins in the form of American blockbusters with strong visual impact. Fang mengao was called to the airport to call his teammates who took off the plane abnormally. After the plane landed, he was shot dead by a burst of random guns, fang mengao was sued to Nanjing special military court. The story was fully launched around the accusation that the special aviation brigade led by him did not bomb Kaifeng against the superior’s order and the Fang family sent people to Nanjing for rescue outside the court, A characters on the stage. I have no intention to retell the whole story. The overall impression of the play is very delicate. Not only is the logic strict, but also the details are well handled. The stay of each scene and the switching of scenes are very natural. Unlike many films and TV plays, the switching of scenes has a kind of disorder that can be caught off guard. However, the transition of the play from one scene to the next scene must have an inevitable connection with the dialogue of the previous scene or the interpretation of the story, thus no inexplicable nonsense will appear. Therefore, it gives people a psychological effect that they are eager to watch, which reflects the powerful logical power of spy movies. Although the play could not be completely classified as a spy movie, the factors involved in such a spy movie were in the contest of various forces such as the underground party of the Communist Party of China, the military unification of the Kuomintang, the central unification, even the three youth groups and the iron and blood saving, but it is indispensable. It provides an aspect for the audience to understand the unknown history, making the play look very beautiful. A friend sent a text message saying: This drama is a very good national drama after “lurk. I agree with her point of view, and at the same time, I think that what is valuable in this play is that it directly takes the period of Kuomintang as the main narrative line of the story, breaking the unified narrative mode led by the Communist Party after the founding of the People’s Republic of China. But the difference between this film and “lurking” is also obvious. What impressed me most was the classical style of literati and officialdom of Fang Jia and He Jia, which were performed in this play. In the play, the spirit of Mr. He qicang and Mr. Fang Buting who knew it was impossible to do it and the calm and refined expression were easy to remind people of some people in the 1930 s and 1940 s. Bogu Tongjin is self-elegant with clear ambition, light and quiet. The classics of the whole house are Shi Zhilun, and the country is all over the world. Swallows flew under the eaves, and the smoke from the kitchen was reflected in Danxia. This kind of scene may only have feelings in troubled times. The disappearance of a dynasty has its own inevitable reason. If you want to perish, you will be crazy. The crazy corruption inside the party and state, the selfish interests of all kinds of interest groups, the constraints and coincidences of all kinds of forces have dispelled all the rescue invisible. The film constantly deepened this kind of Consciousness. Party property and private property were not divided, domestic property and party property were not divided, and personal interests were sought under the banner of the party state. Government decrees contradicted each other because of the intervention of interest groups, the back of a subjugation is already clearly visible. Although it was hard for Chiang Ching-kuo to save the nation with iron and blood, I believed that those who could surpass the party’s power, like the fire buried underground, would certainly be presented in some way at a certain moment. I have one thousand reasons not to like Liang Jinglun played by Liao Fan, but I have no reason to oppose that the wound of peeling cocoons layer by layer and tearing the left-right dash in his heart. Like many people watching dramas, I also like the cunning, treacherous and awful grass-roots class that Cheng Yu plays Ma Hanshan, and the Heretic darkness and depression that Ni Dahong plays Xie Peidong, I like the cleanness and elegance of Zu Feng playing Cui Zhongshi, the cough and back image of Wang Jinsong playing Wang puchen, and the treacherous, shameless and ruthless character of Chen Baoguo playing Xu Tieying, I even like the authentic Shanghai dialect in which Wang Yinan plays sister-in-law Cui. As for he qicang played by Jiao Huang and Fang Buting played by Wang Qingxiang, just as many netizens commented, they are the play bones of this play, needless to say. What I care about is why so many people don’t like He Xiaoyu who plays the female one he Jiani? And Cheng Xiaoyun played by Chen Lina? He Xiaoyu, who was born in a scholarly family, in my impression, should be such a woman with no eyes and rich, elegant and quiet heart, set off by Jiang Ruijia’s innocent role as Xie Mulan, this impression became stronger and stronger. It would be more natural if she didn’t have the identity of the Communist Party, besides, she didn’t do anything useful for the party, and the function of her identity was not effectively played, which was a fly in the ointment. Although there are not many scenes for Chen Lina to play Cheng Xiaoyun, her graceful posture and quiet expression, When we raised our hands and cast our feet, what we showed was all the manner of the women of the Ming Dynasty. A song of floating clouds scattered, and the bright moon shining on people came round and round. Now we are drunk, the pond is clear and shallow, and Mandarin Ducks play in. The gentle and bitter melody has already completely revealed the last scene of the mansion. 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